This print is taken from the Golden Spiral Series, which is based on a geometric sequence, whereby a series of identically proportioned rectangles, each having a golden ratio of 1.618 or phi, become wider by a factor of phi for every quarter turn that it makes, thus creating a perfect spiral.  In nature, the golden spiral is often seen in living organisms, such as the spirals in seashells and plants, and in non-living examples such as the spiral arms of galaxies and the spirals of hurricanes. 

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints. 

This print is taken from the Golden Spiral Series, which is based on a geometric sequence, whereby a series of identically proportioned rectangles, each having a golden ratio of 1.618 or phi, become wider by a factor of phi for every quarter turn that it makes, thus creating a perfect spiral.  In nature, the golden spiral is often seen in living organisms, such as the spirals in seashells and plants, and in non-living examples such as the spiral arms of galaxies and the spirals of hurricanes. 

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from the Golden Spiral Series, which is based on a geometric sequence, whereby a series of identically proportioned rectangles, each having a golden ratio of 1.618 or phi, become wider by a factor of phi for every quarter turn that it makes, thus creating a perfect spiral.  In nature, the golden spiral is often seen in living organisms, such as the spirals in seashells and plants, and in non-living examples such as the spiral arms of galaxies and the spirals of hurricanes. 

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print taken from Pinwheel, one of a series of line drawings that explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from Flashpoint, which is one of a series of line drawings that explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from Elliptical Void, which is one of the Spiral Series of drawings that reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print of Sphere Cluster is taken from Stratosphere Series. It provides a window-like view into an imaginary atmosphere, which could represent a dense field of planets or celestial matter.

For prices on various sized and mediums, email mail@kevinosmond.com

This print is taken from Sparkler Series of drawings. Stella emits explosive colour and references the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from Sparkler Series. Crossette No.3 drawing emits explosive colour and references the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is based on the Sparkler series of drawings which emit explosive colour, referencing the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from It's busy up here! which is part of Osmond's Stratosphere Series of drawings. Each drawing provides a window-like view into an imaginary atmosphere, which could represent a dense field of planets of celestial matter.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from Sparkler Series of drawings. Stella emits explosive colour and references the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from Sparkler Series of drawings. Stella emits explosive colour and references the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print of Star Trail No.1 is part of the Stargazer Series of drawings. This series explores celestial movements over time that are not necessarily visible to the naked eye, but can be seen through a viewfinder.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from the Spiral Series of drawings which reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night and supports my recent body of 3D sculptural work exploring clusters, scapes and fine-structural forms that hover in space.

To enquire about dimensions and prices, please email: mail@kevinosmond.com  

This print is taken from Big Bang, one of a series of spiral drawings which reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night and supports my recent body of 3D sculptural work exploring clusters, scapes and fine-structural forms that hover in space.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from the original drawing Squirl Cluster, which has been drawn intuitively using a method of repetition to create an intense cluster loosely based on typographical squirls. Each doodle connects to the next, passing through a variety of colours and forming one continuous line that is explosive and weaves the length and depth of the paper.

To enquire about dimensions and prices, please email: mail@kevinosmond.com  

This print is taken from Wormhole drawing, which has been drawn intuitively using the repetition of varying elliptical shapes to produce a sprawling wormhole that appears then disappears into the depths of the paper from which it is drawn. It references anomalies currently being explored within quantum theory and space.

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from Doodlemass, an unlimited series of free-form, three-dimensional doodle drawings on paper. Each drawing evolves from the total consumption of ink from one pen, as if the product of a very long telephone conversation recording a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. 

Each drawing involves a methodical sequence: 1. Select a doodle (no pre-conceived ideas); 2. Start anywhere on the page; 3. Repeat; 4. Continue until pen runs out

For prices on various sizes and mediums, email mail@kevinosmond.com

Drawings which are not shown in Editions may also be available as prints.

This print is taken from Doodlemass, an unlimited series of free-form, three-dimensional doodle drawings on paper. Each drawing evolves from the total consumption of ink from one pen, as if the product of a very long telephone conversation recording a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. 

There are other worlds is a series of ten photographs exploring mysterious and ethereal landscapes to which the origin and scale remain vague. Forms inhabit these spaces and provide movement to the image by either hovering or skimming through the frame, casting distorted shadows on the colourful saturated surfaces below. 

Using photography as a way of classifying the physical existence of such landscapes, There are other worlds is photographed in ‘real time’ in opposition to our knowledge of what is now achieved through computer imagery. 

To enquire about dimensions and prices, please email: mail@kevinosmond.com 

There are other worlds is a series of ten photographs exploring mysterious and ethereal landscapes to which the origin and scale remain vague. Forms inhabit these spaces and provide movement to the image by either hovering or skimming through the frame, casting distorted shadows on the colourful saturated surfaces below. 

Using photography as a way of classifying the physical existence of such landscapes, There are other worlds is photographed in ‘real time’ in opposition to our knowledge of what is now achieved through computer imagery. 

To enquire about dimensions and prices, please email: mail@kevinosmond.com  

There are other worlds is a series of ten photographs exploring mysterious and ethereal landscapes to which the origin and scale remain vague. Forms inhabit these spaces and provide movement to the image by either hovering or skimming through the frame, casting distorted shadows on the colourful saturated surfaces below. 

Using photography as a way of classifying the physical existence of such landscapes, There are other worlds is photographed in ‘real time’ in opposition to our knowledge of what is now achieved through computer imagery. 

To enquire about dimensions and prices, please email: mail@kevinosmond.com  

There are other worlds is a series of ten photographs exploring mysterious and ethereal landscapes to which the origin and scale remain vague. Forms inhabit these spaces and provide movement to the image by either hovering or skimming through the frame, casting distorted shadows on the colourful saturated surfaces below. 

Using photography as a way of classifying the physical existence of such landscapes, There are other worlds is photographed in ‘real time’ in opposition to our knowledge of what is now achieved through computer imagery. 

To enquire about dimensions and prices, please email: mail@kevinosmond.com 

There are other worlds is a series of ten photographs exploring mysterious and ethereal landscapes to which the origin and scale remain vague. Forms inhabit these spaces and provide movement to the image by either hovering or skimming through the frame, casting distorted shadows on the colourful saturated surfaces below. 

Using photography as a way of classifying the physical existence of such landscapes, There are other worlds is photographed in ‘real time’ in opposition to our knowledge of what is now achieved through computer imagery. 

To enquire about dimensions and prices, please email: mail@kevinosmond.com